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Peak Pose Sequence: Tittibhasana (Firefly Pose)

Sequence to Tittibhasana (Firefly Pose)

In my 500-hour Teacher-Training Programs I have my students compare Bakasana and Titthibhasana with the aim of learning how to create effective sequences for each of these postures.

When the trainees look at the two poses side-by-side, they see something they usually haven’t noticed before: Bakasana and Tittibhasana are nearly the exact same pose. However, the one major difference between the two postures has significant sequencing implications. We’ll get to the sequencing implications in a moment. But first, let’s look at the similarities between the two poses. Take a moment to compare Bakasana and Tittibhasana below.

Bakasana and Titthibhasana share the following similarities:

1. Both poses flex the spine.

2. Both poses broaden the scapulae while strongly engaging the serratus anterior.

3. Both poses require strong core engagement, most significantly the transverse abdominus, the rectus abdominus, and the illio-psoas.

4. The shoulder joint (or gleno-humeral joint for you fact-checkers out there) is at approximately 90 degrees of flexion in both poses.

5. Both poses strongly flex the hip joints and require the adductors (inner thigh muscles) to engage to prevent the legs from sliding down the arms.

In simple terms, the arms, shoulders, shoulder blades, spine, core, and hips are doing the same thing in Bakasana and Tittibhasana.

The one significant difference between the two poses is that the legs are bent in Bakasana and they’re straight in Tittibhasana. That’s all folks.

But—and this is a big BUT—straightening the legs has far-reaching implications that makes sequencing for Tittibhasana different than sequencing for Bakasana. When you straighten your knees in Tittibhasana you:

1. Stretch your hamstrings. The hamstrings are contracting in Bakasana, but they’re stretching in Tittibhasana. This means your students need plenty of hamstring preparations in the sequence that you create.

2. Stretch and contract your adductor muscles. Tittibhasana requires you to stretch the adductors since the legs open at a slight angle when you straighten the knees in this pose. At the same time, the pose requires you to engage your adductors so that your legs don’t slide down your arms. To facilitate this, your sequencing needs to include both adductor opening and strengthening.

3. Engage your core (even more). If your hamstrings and adductors are the least bit tight, they will pull the weight of your body down as soon as you start straightening your legs. To counteract this downward pull, you have to fire up your core and create even greater lift than you do in Bakasana.

4. Engage your quads: Engaging your quads straightens your knees in Tittibhasana. Your quads also work with your core to flex your hips and support the weight of your pelvis. Your sequence and your verbal cueing should include postures that help your students tune into these muscles so they know how to engage them once it’s time for Tittibhasana.

Practice the 16-pose sequence above and notice how all of these layers are incorporated. Let me know how it goes in the comment section below!

When you understand the nuances of postures like Bakasana and Tittibhasana, you can help demystify these poses for your students. Even more, you can create logical, effective sequences that keep your classes fresh and help your students do more than they ever thought they could.

Developing effective sequencing for all levels, including more advanced postures like these arm balances is one of the pillars of my Teacher Training Programs. In 2016, I’m offering my 500-hour Advanced Certification in San Francisco at Yoga Tree. If you want to deepen your practice, advance your teaching, and learn to create more effective sequencing, please join me!

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{illustrations by MCKIBILLO}


  1. Nice post.

    Its nice to see that the distinction and comparison between Bakasana and Titthibhasana yoga is being taught to future yoga instructors, It is appalling to see that in some “studios”, students are merely made to do some poses where the instructor does not even know the name and proper sequence of each pose.

      1. I think that anything that is new each day is sifncgiiant, in various ways. I like your blog. Thanks for starting/keeping/doing it.Cool that you like Royksopp, one of their tunes is an all time fave of mine

    1. Hi Marlene, was checking out your wbetise and came across the home practice sequence which will work perfectly for me today. I really enjoyed your restorative class on Monday. Have a lovely day. Namaste, Belle

  2. Excellent pose with great information explaining the actions and other details about bakasana and titthibhasana. Would you ever sequence both of these arm balances in the same class?

  3. These are incredibly useful instructions, Jason. Thank you. They especially make sense because of what you taught us in the Art of Yoga Sequencing through YogaGlo, which I’d recommend highly to anyone reading these posts.

    I’d very much like to take your 500 hour course, but will have to wait until the Canadian dollar is more on par with the American dollar!

    1. Thanks, Didi! I’m happy that these are useful for you! And, thanks for taking my online sequencing course. I hope the Canadian dollar strengthens and I see you in my 500-hr training. -Jason

  4. it is amazing to see the difference between including Hanumanasana in a class or doing following the sequence you have shared, a lot more enjoyable for my students and quite different results and sensations.

    I will defitnely try this one, but I have a question, Would you add some movements for the wrist????

  5. So, Tittibhasana was a flop lol, but OMG. After doing this sequence, I could completely straighten my legs in Navasana and felt so free in the hips and hamstrings. Thanks so much!

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